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May 5, 1980 Essie, the dead Pomo Indian dreamer-doctor, gives Funicula a vision of 2 fine Pomo baskets. They are woven of Cosmic Juices, graced with quail feather antennae, in stereo. The turned out and over lip of each basket is important. "These baskets are to give dimension to your seeing from the heart," she hears. May 6 Funicula places the "Baskets of Perception" in the heart of Space Heartspace. A Black Rose comes to center between them.

May 8, 1980 Funicula connects with her Viking heritage. There is an aura of ORS (oars) around the "Easter Machine", (heartspace), as a method of propulsion. It's time to move. Each Kriya breathing fires Space Heartspace. Breathe in, assert anatomy of Light Body. Breathe out to Still Light. Breathe in to Impulse, pyramiding and slivers. Breathe out to pressure on the slivers as ORS.

There are 3 sliver actions.

  1. The overall surge: EIE and 5th dimension
  2. The singular, glowing, gold needle that forms in the center of Space Heartspace.
  3. The constant flipping of ORS.

The feeling of traveling in velvety darkness is very satisfying. She may be 1,000 years before her time! To be free from gravity. Govinda, the artist, is out here and comes along for a friendly ride. Funicula's mood is hilarity, exultation; she's HIGH. She has escaped past all the stars she could see.

At the end of Kriya Funicula is at home. Through her imagination, she is being initiated into the next dimension. She lies like a Viking in the Insane. There is no distance, no darkness, just fields of tiny swirling color radiants. She's warped incredibly, dismembered, shaken, convulsing until filled with Super-light. Funicula is in time, resonating with that un-space, where she has un-sailed her un-Viking Space Heartspace.

May 13, 1980 The central needle of slivers, now crystal-tipt, pierces her brain. Going up, Funicula feels the organic gelatin-like quality of translation electrically. Funicula is directed to other complex practices, all aimed at getting going, at raising the Light Body.

Light Body, pages 52-53

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