1. "Album of Chinese Paintings", Life Magazine, October 11, 1943
  2. Art in Asia and the West, San Fransisco Museum of Art, 1957
  3. Arts of the Ming Dynasty, Detroit Institute of Arts, 1952
  4. Baur, John I. H., Catalogue of the Exhibition, Nature in Abstraction, Whitney Museum of American Art, William J. Ponzio, Inc., 1958
  5. Bijutsu Kenkyu 26, Nos. 1-169, Institute of Art Research, Tokyo, 1923-1952
  6. Bowie, H., On the Laws of Japanese Painting, New York, 1951
  7. Chinese Landscape Painting, Cleveland Museum of Art, Ohio, 1954
  8. "Chinese Paintings at Boston", Magazine of Art, March, 1944
  9. Chung-kuo ming-hua chi, Vol. I, 35, Yu Cheng Book Co., Shanghai, 1909
  10. Cohn, William, Chinese Painting, Phaidon Press, Ltd., London, 1948
  11. Corso, Gregory, Gasoline, Introduction by Allen Ginsberg, Pocket Poet Series,City Lights Books, San Francisco, 1958
  12. Dubose, J.P., "A New Approach to Chinese painting", Oriental Art Magazine, Vol. 3, Edition Cohn, 3 Victoria St., London, 1954
  13. Edmunds, Will, Painters and Clues to the Subjects of Chinese and Japanese Art, Sampson, Low, Marston and Col, Ltd., London, 1954
  14. Exhibit of Chinese Paintings 11th-20th Centuries, Winnipeg Art Gallery, 1953
  15. Exhibit of Chinese paintings from the Collection of C.T. Loo, Stanford University Museum, 1956
  16. Exhibit of Paintings by Kao Weng and Chang K'Uni-I, Catalogue, Metropolitan Museum of Art, New York, 1944
  17. Fenollosa, Ernest, Epochs of Chinese and Japanese Art, Great Britain, 1912
  18. Fingesten, Peter, "Beat and Buddhist", The Christian Century, February 25, 1959
  19. Forty American Painters 1940-1950, The University Gallery, Department of Art, University of Minnesota, 1951
  20. Fung Yu-lan, A History of Chinese Philosophy, two volumes, Princeton Universty Press, 1953
  21. Ginsberg, Allen, Howl and Other Poems, Pocket Poets Series #4, Introduction by William Carlos Williams, City Lights Books, San Francisco, California
  22. Grilli, Elise, Sesshu, Kidansha Library of Japanese Art, No. 10, Charles E. Tuttle Company, Rutland, Vermont and Tokyo, Japan, 1957
  23. Grousset, Rene, De la Chine au Japon, Les Documents d'Art, Monaco, 1951
  24. Hajek, L., Chinese Art, Czechoslavakia, 1957
  25. Hansford, S., A Glossary of Chinese Art and Archaeology, London, 1954
  26. Hayward, John F., "Religious Implications of Modern Painting", Journal of Religion, July, 1954
  27. Herrigel, Eugene, Zen In the Art of Archery, Pantheon Press, 1954
  28. Hikkoen, Album, Shimbi Shoin, Tokyo, 1912
  29. Hui-hua Kuan, from Siren's Lists
  30. Institute of Art Research with text by Ichimatsu Tanaka in Japanese, Liang Kai, Tokyo, Japan, 1957 {A copy is in the New York Public Library, Research Libraries, Art & Architecture Division of the Humanities and Social Sciences Library, 476 5th Ave. and 42nd St. Call # MAG+ (Bijutsu KenkyŸsho, Tokio. Liang K'ai)}
  31. It Is, Spring Issue (Vol. I, No. 1), 1957, Second Half Publishing Co., Inc., New York, 1958
  32. It Is, Autumn Issue (Vol. I, No. 2), 1958, Second Half Publishing Co., Inc., New York, 1958
  33. Johnson, Woodbridge O., "Beat and Misleading", Christian Century, February, 1959
  34. Kerouac, Jack, The Dharma Bums, Viking Press, New York, 1958
  35. Kokka, An Illustrated Monthly Journal of the Fine and Applied Arts of Japan and Other Eastern Countries, Vols. 1-606, Brentano's, New York and Tokyo, Japan, 1889-1959
  36. Kukung shu-hua chi, XXV, Palace Museum, Peking, 1930-1936
  37. Lessing, Ferdinand Dederich, Yung-ho-kung, An Iconography of the Lamaist Cathedral in Peking, Vol. I, Stockholm, 1942
  38. Langdon Warner, Enduring Art of Japan, Harvard U. Press, 1952
  39. Loan Exhibition of Chinese Paintings, Royal Ontario Museum of Archaeology, 1956
  40. London Exhibition, Catalogue 972, Illustrated catalogue of Chinese Government Exhibitions for the International Exhibition of Chinese Art in London, Vol. III, Commercial Press, Shanghai, 1936
  41. Maritain, Jacques, Creative Intuition in Art and Poetry, Meridian Books, New York, 1955
  42. Maritain, Jacques, "Things and the Creative Self", Magazine of Art, February, 1953
  43. Masterpieces of Chinese Art", Time Magazine, May 6, 1957
  44. Mather, Richard, "The Landscape Buddhism of the Fifth-Century Poet Hsieh Ling-yun", The Journal of Asian Studies, November, 1958
  45. Miller, Dorothy, Exhibit of Paintings by Fourteen Americans, New York Museum of Modern Art, Simon and Schuster, 1946
  46. Muelder, Walter, The Development of American Philosophy (with Lawrence Sears), Houghton-Mifflin Co., Boston, and Riverside Press, New York and Cambridge, Mass., 1940
  47. Munsterberg, Hugo, The Landscape Painting of China and Japan, Tokyo, 1955
  48. Muto Collection Catalogues II, 2; III, Chosho Seikan, 1929
  49. Nanking Exhibition Catalogue, pp. 31, Commercial Press, Shanghai, 1943
  50. Noma Seiroku, Translated by Edward Strong, Artistry in Ink, Crown Publishers, New York, 1957
  51. Oriental Art Series O, Section III, Japanese Art, Edited by Henderson and Paine, The University Prints, Cambridge, Mass.
  52. "Paintings by Sages, Chinese Art at Cleveland", Time Magazine, Novermber 15, 1954
  53. Priest, Allen, Aspects of Chinese Painting, Macmillan, New York and London, 1954
  54. Rexroth, Kenneth, "Disengagement: the Art of the Beat Generation", New World Writing #11, Mentor Books, New American Library of World Literature, New York, 1957
  55. Ross, N.W., "What Is Zen?" Mademoiselle Magazine, January, 1958
  56. Rowland, Benjamin, Jr., Harvard Outline and Reading Lists for Oriental Art, Harvard University Press, Cambridge, Mass., 1952
  57. Rowley, G., Principles of Chinese Painting, New Jersey, 1957
  58. Sesshu, Tokyo National Museum, Tokyo, 1956
  59. Sickman and Soper, The Art and Architecture of China, Baltimore, 1956
  60. Siren, Osvald, The Chinese on the Art of Painting, Henri Vetch, Peiping, 1936
  61. Siren, Osvald, Chinese Painting: Leading Masters and Principles, Volumes 1-3, The Ronald Press Company, New York, 1956
  62. Siren, Osvald, Histoire Des Arts Anciens De La Chine, Histoire De La Peinture Chinoise, Les Editions D'Art Et D'Histoire, Paris, 1955
  63. Siren, Osvald, History of Early Chinese Painting, 1933
  64. Siren, Osvald, Les Peintures Chinoise Dans Les Collections Americains, Librarie National D'Art Et D'Histoire, Paris, 1927
  65. Shimbi Takikan, Vols. I-XX, Kyoto, 1899-1908
  66. Sogen Moigeshu, II, 1930
  67. Sogen Minshin Meigan Takan, Vols. I and II, Tokyo, 1931
  68. Soraikan Kinshu, Parts I and II, pub. Hakubundo, Osaka, 1930-1939
  69. "Spreading Buddhism", Newsweek Magazine, July 18, 1955
  70. Suzuki, Daisetz T., "Sengai, Zen and Art", Art News Annual, 1958
  71. Suzuki, Daisetz T., Studies in Zen, British Book Centre, New York, 1955
  72. Suzuki, Daisetz T., Zen Buddhism, edited by William Barrett, Doubleday and Co., Inc. Garden City, New York, 1956
  73. Toso Gemmin Meiga Taikan, Vols. I and II, Tokyo, 1929
  74. Toyo Bijutsu Taiken, Vols. VII-XII, Shimbi Shoin, Tokyo, 1912
  75. Waley Arthur, An Introduction to the Study of Chinese Painting, Grove Press, Inc., New York, 1958
  76. Waley Arthur, Zen Buddhism In Its Relation To Art, Luzac and Co., London, 1922
  77. Watts, Allan, "Prevalence of Zen", report by S. Mahony, The Nation Magazine, November 1, 1958
  78. Watts, Allan, Square Zen, Beat Zen, and Ch'an, Grove Press, New York, 1955
  79. Weber, V.F., Ko-ji Hoton, Dictionnaire a l'Usage des Amateurs et Collectionneurs D'Objets D'Art Japonais and Chinoise, Paris, 1923
  80. Willetts, William, Chinese Art, Vols. I and II, Penguin Books, R. Clay and Co., Ltd., Bungay, Suffol, Great Britain, 1958
  81. Wright, S. Macdonald, "Some Aspects of Sung Painting", Magazine of Art, February, 1938
  82. Yonezawa, Yoshiho, Painting in the Ming Dynasty, Mayuzama and Co., Tokyo, 1956
  83. Yonezawa, Y., and S. Shimada, Painting of the Sung and Yuan Dynasties, Tokyo, 1952
  84. Yutang, Lin, "Contributions of East to West in Art", Magazine of Art, October, 1949
  85. "Zen: Beat and Square", Time Magazine, July 21, 1959
  86. "Zensation", Time Magazine, February, 1959
  87. "Zen", Time Magazine, February 4, 1957
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